Quebec-based artist Ouri conjures music that blends electronica, glitch, Fourth World, dream pop, and bass while engineering, mixing, and mastering everything herself to shape her tactile and nocturnal sounds. With her recent album Daisy Cutter (2025), she builds a world out of a radical experimentation with desire, discipline, and intimacy. What began as a practice of letting everything flow without judgment grew into a study of freedom’s contradictions: the pull between safety and risk, commitment and release, control and surrender. Sonically, Daisy Cutter is both gritty and crystalline, wandering between soft lo-fi ambience, bubbling future garage two-step, and emotive contemporary soul. Ouri keeps the textures of the real world intact – the noise of the room, the grain of the voice, the imperfection of pitch – while weaving harp, cello, and piano into synths, granular self-sampling, and digital processing. The result resists genre, carving a hybrid imprint that is clear yet distorted, embodied yet virtual, and large yet intimate.