Grammy-nominated composer and percussionist Eli Keszler's eponymous third album released last month; its smoky Lynchian songs bristle with electricity and dark currents. In his jazzy, cinematic songs, echoing chasmic spaces are filled with skittering drums and dubbed-out textures – projecting a flickering noir scene into listeners' imaginations. His music moves with the quaking sense of atmosphere and experimentation one might expect from someone who has collaborated with Oneohtrix Point Never and Laurel Halo.