Ash Fure's somatic musical practice eschews conventional composition and notation in favour of sculpting and wielding sound in a visceral way. In Hive Rise (2020), Fure performed with a rig of speaker cones, manipulating them through kinetic movement. For Animal (2025), she returns to this subwoofer assemblage, playing the 12-inch speaker cones with a large sheet of polycarbonate – which acts as a reflective surface that filters sound and light simultaneously. Techno ambience, whirring textures, and rustling patterns build and recede in Fure's frenetic percussive performance. Cyclical rhythms swarm into the listener's ears, burrowing deeper into some subconscious realm, pulsing with an omniscient strangeness. Fure’s unique live approach harnesses wild energy and sweaty athleticism – pouring every bit of herself into the performance. Making “a Feminist push against some of the more disembodied approaches to electronic music,” her frequencies are created to be felt as much as heard: thick, hair-raising sub-bass washes over the audience, enveloping them into a noisy ocean of sound – part club, part avant-garde, and all the way animalistic.