Anaïs Lossouarn composes sounds with stones, stroking them in a repetitive motion so they resonate, much like playing the rims of water glasses. As you touch the stones in the installation, you listen to the tones of these stone harps. The suspended stone fragments vibrate with the heartbeats of those who have listened before you – a bridge to the invisible rhythms and inner echoes of these strangers. Functioning as a kind of metronome, the vibrations subtly influence the rhythm of your own heartbeat, connecting your body to theirs. 

Anaïs Lossouarn aims to create spaces that invite people to slow down and take time to experience something unfamiliar yet gentle. She explores resonance and the relationships between matter and the living; how vibrations travel, connect, and transform both bodies and materials; and how listening can become a shared, relational experience. By amplifying and recontextualising what already exists, she wants to put aside the feeling of "already knowing" and open space for curiosity.