Pieter Vermeersch (BE)
For Vermeersch, the treatment of gradations in colour is a strategy to gradually make time visually and tangibly concrete in paint, in the manner of the movement of a camera. The paint ‘progresses’ from ‘nothing to full’. It pulls the viewer with it in an abstract narrative with a clear beginning and end. For
REWIRE 2012, Pieter Vermeersch has created a new work on location.
